In Coralie Fargeat's new feminist terror motion picture The Substance, damaging societal elegance criteria are the actual monsters. They (women objectification, the disposal of "the outdated," the spreading of a market improved body customization) supply a creature of a cycle that leads Demi Moore's fading television personality character Elisabeth

The problem appeared so dire that Slate analyzed data from Rotten Tomatoes in 2011 and established that Hewitt was the "worst actress" in Hollywood with "the exceptional difference of never getting manufactured only one 'new' ... film" (wherein it scores above sixty% beneficial reviews). Hewitt rolled her eyes in the piece and served a scathing res